If the title of this post didn’t make it clear enough, I was really pleased with the hyper-detailed looping animated gif of a robot factory I made earlier this year. So much so I have decided to make another one. This time they’re making – you guessed it – washing machines!
It took a lot of energy, but for a 1.1 second loop, you can spent a whole lot longer than that looking at it to follow what’s going on.
My favourite bit is the robot who stretches the drive belt over the drum. It feels nice when things come out of my brain in the way I imagined them!
I was digging through my archives last week and got completely distracted by this six-piece post-it drawing I did a year ago. After staring at it for a moment, I had the idea of turning it into an animated gif, so this weekend instead of watching it rain, I got to work.
I think it has to be the best damn animated gif I’ve ever made. It loops so perfectly, and it’s full of robots and washing machines. It’s a pretty good representation of what goes on in my mind too.
You can click it to load a huge version of the drawing if you want to check out some of the detail in it!
This year’s Christmas card was another mini-adventure. Lilly and I were kicking around several ideas before we arrived at the final design. The front-running idea we had I called Fat Santa Monkey Bauble:
He was cute, but Lilly was struggling with his sack and we realised a three-colour job (one of the colours white) would’ve been a bit ambitious for our tiny press. We sat there trying to think up some other ideas, and because our flat is littered with my washing-machine-based artwork, Lilly suggested we did some kind of festive washing machine.
It might be me with the washer obsession, but this card was Lilly’s idea. I’ve taught her well!
The post-it notes came out, and this scrawl met Lilly’s approval…
…Then with a bit of reworking (Lilly said he should be smiling proudly at his washer, not frowning at its extravagant spin as I had imagined the scene), we had our design finished. We thought it looked like it should be a New Yorker cartoon.
We sat on the design for a couple of days to make sure we were happy with it, then as soon as I sent the artwork off to the plate manufacturers to print, Lilly had an attack of second thoughts, worrying it was too weird. It was too late though, and after a couple of days’ wait, the plates arrived and we were in print.
Once they were all made, Lilly became a believer again, so into the postbox they went!
Merry Christmas to everyone, whatever your faith or washing machine brand!
Hey Internet! Here’s something cool I did recently – one of a few new T-shirt designs for Hospital. Maybe you know that most graphic output at Hospital is my work anyway, but this design feels a lot more Ricky Trickartt than most things I do for them, which is why (like George Forman) I put my name on it!
There are robots on it. Lots of robots. And a lot of other electronics, both modern and obsolete too. And best of all, they’re all unique! Tall robots, short robots, robots on wheels, vacuum cleaners, telescopic robots, dancing robots, and it wouldn’t be right without a washing machine or two as well.
So what’s with the hair emergency? The phone menu style comes from the robots, the emergency is because it’s Hospital, and the hair problems are all me.
Confused yet? Here’s what you need to do: Go to the Hospital Shop and buy a Robots T-shirt, in blue or white, wear it and love it. Alright!
Aside from having to say goodbye to my old Vespa, one of the projects I worked on this Autumn was that of Enei’s debut album, Machines, on Critical Music. When I was given the heads-up, the first thing that struck me about the project was just what a great title Machines is!
I immediately thought ‘I like machines!’ and began dreaming up all the ridiculous things I could draw for the artwork: Washing machines, sewing machines, vending machines, washing machines, fax machines, robots, washing machines, salami-slicing machines and so on. Did I mention I wanted to put a load of washing machines on his album cover?
The daydreams didn’t last long, and from the giddy highs of domestic machines, I fell to the low of realising that all of my typical inclinations would be way too kitsch for the album, and my usual tact of just-getting-on-with-it wasn’t getting me very far either. Continue reading “Inside the Machine”
I should probably write about the things that influence me more often. A couple of weeks ago, I rediscovered The Secret Life of Machines, a Channel 4 TV series from the late eighties / early ninties. I used to watch this with my Dad when I was really small- it was on TV when I was between the ages of 2-7 apparently (!) – and despite being so young, it clearly made an impression on my tiny mind!
Here is a clip from the show, where Tim Hunkin describes what the concrete ballast in a washing machine is for, with the assistance of Rex Garrod:
Genius. They picked such an expressive washing machine for the demonstration too! It’s great watching this stuff again as the longstanding lines of influence are pretty apparent. For example, here’s a series of post-it notes from 2007 that bear a subtle resemblance to the above clip:
Which is a concept I revisited last week:
Now there’s an idea that is going somewhere!
Anyway! If you like washing machines, you can see more of my washing-machine-related daily artwork by clicking here, or if you just like machines in general, you can find links to watch more of the secret life of machines on Tim Hunkin’s website.
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