My Favourite None-More-Black Client

Critical Music marks its fifteenth anniversary and hundredth catalogue number today with the release of a super-limited-edition boxset I designed.

The design is intended to be part fanzine, part ultra-minimalist blackness, and contains five (!) pieces of black vinyl, in black sleeves, with a black booklet and black poster, in a matte black box with a gloss black print on it. Short of being made of vantablack, it’s like how much more black could I make this artwork for Kasra, and the answer is none… None more black.

To celebrate the blackness (and to torture myself photographically), here are a load of photos of black objects from the package, set against a black background.

S.C.R.A.W.L.S.

This month my beloved American became American-British, so to celebrate, I took her to see the latest James Bond movie with a seven-lettered-word-beginning-with-S-written-in-all-caps-for-a-title. Just like all the other bond movies, this one didn’t make a huge impression on me, but it did yield my favourite post-it note of the month, which was a musing on how Daniel Craig seemed to be wearing a different pair of designer sunglasses in pretty much every scene of the movie. Very stylish, but it made the movie feel a little like a Sunglasses Hut commercial.

Elsewhere this month, I’ve been watching the World Gymnastics Championships and chuckling every time someone did a move called a pike, pondering how technology makes impossible things possible, and hiding robots into everyday scenes.

A pretty good, pretty scattered month!

 
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