I’ve got into the habit of making my own fresh flour tortillas. They’re more satisfying and less alarming than the store-bought ones you get here in Britain, and as a bonus you can make them the right size for the job, instead of the not-quite-burritos-but-too-big-for-tacos one-size-fits-all approach they have here.
They’re not difficult to make either, but things do start getting a bit jugglesome when they’ve finished their second rest and it’s time to cook them. I usually find I could do with several extra pairs of hands between the rolling out, transferring to the pan, flipping, and putting in the tortilla warmer, which happens on loop until I’ve run out of dough.
Several extra pairs of hands, or a squad of small robots! I realised the process was prime for the production line treatment.
As ever, this is an animated gif that loops about every second, but there is a lot more to look at than just one second of looping. As the dough disappears off the bottom and top (under its cling film), you have to imagine it’s going to rest for twenty and ten minutes respectively.
These robots are doing a pretty legit job of making these tortillas otherwise. We’d need an army of hungry people to eat them before they go stale though!
More newness! Here is the artwork I created for Krakota’s debut album. He called the album ‘Strange System’, which is totally up my alley when it comes to record titles.
The title made me think of black boxes (as in science/engineering, not aerospace), which are systems that you can give input to and get output from without having any idea of what happens inside the system. I had some crazy idea to create some artwork completely obscured by a black box, but that was too, well, obscure. Everyone on the project seemed to like what I was drawing to go into the box though, so we ended up with that as the cover itself.
Everything is connected in this artwork! Clearly some of the objects are straight out of the mechanical/system corners of my noggin, but a lot of it comes from Krakota – his love of vinyl, celebratory beers and coffee to fuel the writing process, audio bits and pieces, and objects taken from some of his track titles. On the cover is a xylophone (from Xylo), a ghost, some samphire, an ice machine (for Ice Hands), some bones (for Lazy Bones), and the odd elastic bands. There are more track titles in the gatefold artwork too.
I kept my illustrations on this artwork as geometric as possible to make it feel very mechanical, so to contrast that and bring it back into the world of humans, we had all the artwork printed on a nice and heavy unbleached card stock. It roughs it up just the right amount and looks pretty fresh in physical too.
Check the Hospital Shop if you need a copy in your life!
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