Two Achievements for Twenty-twenty-two

It’s funny how sometimes doing stuff means you don’t end up doing stuff… like updating this weblog. A year has already passed since my last entry, but that’s because I’ve been doing other stuff. I have two achievements from 2022 that I am quite proud of though, and are definitely worth not disappearing into the sands of time:

I didn’t (but I came close to) win the Klaus Flugge Prize

It’s really been one of the greatest achievements of my career as a graphic artist to have been shortlisted for the 2022 Klaus Flugge Prize – an award for newcomers to children’s illustration – for Alley Cat Rally.

To have been considered one of the six best of the year was just amazing – I’m really not used to having such recognition for the stuff I make. To have had the book published in the first place was amazing (and frankly still kind of hard to believe happened!), and to have seen parents and kids enjoy the book has been just as difficult to imagine, but to have people who clearly know kids’ books and illustration pick mine out from a huge pool means surprisingly a lot to me.

I made a little video about being shortlisted for the prize this summer. I’m not too disappointed that I didn’t win the whole prize in the end – having a certificate to put on my office wall means a surprising amount to a precious artistic ego.

My certificate for being shortlisted for the Klaus Flugge Prize 2022

I bought a house

Speaking of my office wall, the other massive thing that happened in my world this year is that Lilly and I bought a house! It’s a hundred-year-old house in the woods with a garden and a surprisingly generous workshop, and we love it.

As anyone privileged enough to have gone through the process of buying a home will likely tell you, the process was painful, and ours especially so, but it did eventually happen, and we are glad it’s over.

It has been an endless source of projects since we got the house, and in 2022 I managed to make videos about a couple of the many projects I’ve already undertaken. As I’ve probably mentioned if you’ve read my past postings here, I’ve been making videos mostly to try and improve my storytelling and to be less afraid of my own voice, and secondarily because it’s quite nice for me to have a record of what I’ve been up to – something I can look back on and remind myself I did actually do. Chasing views and trying to go big on YouTube definitely hasn’t been my priority, so it was a massive surprise when one of my videos this year did – somehow – go big.

The video that found a surprise audience on YouTube was one about me getting a used Henry Hoover vacuum cleaner and repainting it. I’m usually pretty chuffed if my video view counts get into three figures, so seeing this one ramp up to what is now 160,000 views was just bizarre. It’s a pity that I haven’t earned anything for the entertainment I appear to have provided (especially considering YouTube has been running ads against it, whether I want them to or not), but I’m glad it has provided intrigue.

As far as I can tell, there’s a surprising vacuum-cleaner-fancying subculture on YouTube that picked up on the video. I had no idea why it was this video when it happened though, so it made uploading the next video all the more intimidating. I eventually followed it up with a nice tour of my last Post-it book, which didn’t get the traction at all, and has an otherwise better-than-usual 150 views at time of writing. Hey ho.

Having the house is good fun though. Although I didn’t try and document it in video, I am just a couple of skirting boards and paint touch-ups short of having finished redecorating our new living room now, which is exciting. Maybe some of 2023’s projects will warrant more videos though.

So with those two things alone considered, 2022 was a pretty good year, not to mention a couple of record cover designs I thought were particularly successful last year also. I hope that the highlights continue to outweigh the lows for all people on this planet and others!

Wobble Wobble Womp Womp


Continuing with the theme of designing record covers for the YouTube generation, the artwork I created for this year’s New Blood compilation on Med School has been going down famously!

For this album, I created twenty bespoke videos based on my original cover art idea – using a subwoofer to vibrate a pool of blood-coloured oobleck – one for each track. You can see the whole playlist of them all here:

It’s surprising how different the results were based on the different tunes – some of the basslines created very uniformed ripples, whereas some made the mixture go absolutely nuts! Continue reading “Wobble Wobble Womp Womp”


I like to dip my toes into the waters of animation, and in this YouTube-dominated era of the music business, the importance of the video-sharing site has given me new opportunities to mess around with the medium. I’ve created some small animated loops for a pair of albums this summer, for Hospital Records and its sister-label Med School.

Hospital’s most prolific artist Logistics is back with a new album called Polyphony. Matt comes from an incredible creative, artistic background and has frequently collaborated on or designed his own record covers. The cover for this album was no exception – it was something he created himself on his phone (!), and I found on his Instagram account. We all thought it was fab in the Hospital office, so it became the cover for Polyphony.

Inside Polyphony

I loved the kaleidoscopic style, so I reverse-engineered it in the process recreating a small, hypnotic animated loop. This proved useful not only for the YouTube videos (as embedded above) but also became the source for the rest of the artwork on the album.

Keeno’s debut Life Cycle was a bit of a puzzle for me. He is a brand-new artist that incited a lot of passion from the Hospital CEO Tony Colman – many thoughts were expressed about classical music, reference points were made that I wasn’t getting and dead-ended sketches were produced.

After a while I gave up on the reference points and just followed my nose – I figured as the album was called Life Cycle, I should try and represent a life cycle visually. I remembered back to my past experimentation with phonotropes – using a turntable and a camera’s shutter speed to create animation. After all the sums and technical experimentation, I got the design working. The little guy gets eaten by the big guy all the way along the cycle, which made the nice radial image used on the cover.

Keeno Picture Disc

The next most difficult part of the project was convincing Med School to release the album on limited-edition picture disc, to make it all make sense. It’s taken me such a long time to write this that they’ve all sold out already, and it’s had to be re-pressed on regular black vinyl! If you were speedy and got a copy, put it on a turntable under a really bright light, and if you look at it through your phone’s camera, you should see the design come to life like it does in the YouTube video!

Three Little Websites

Hospital realised that WordPress isn’t the be-all and end-all of creating functional websites, which was great news for me as hacking up themes take a surprisingly long time! Instead, I’ve been getting to be a little more freeform with the websites I’ve been creating for them lately, resulting in these three little websites:

The idea for this site was borne out of a conversation with Matt Riley, the man in charge of web promo at Hospital. He suggested that as our tracks end up on YouTube anyway and we had such a striking cover photo, that we could make the page a big version of the album cover made up of YouTube videos.

Continue reading “Three Little Websites”

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