A year ago, I did a Risograph-printing workshop with Hato Press that resulted in a miniature story book called ‘Grow Lamp’ – it’s a simple little eight-page wordless story about a robot who learns to care for its houseplant. The story was inspired a little by me buying some grow-lamps to care for my own growing collection of houseplants over winter, when the days are terribly short here in London. I felt really awkward ordering grow-lamps off the internet – like I was the only person using them for their legitimately stated purpose!
The Riso workshop was brilliant – I found it fascinating, like a crazy halfway house between screenprinting and olschool photocopying, but with wicked colours. Here are a few images from the process, and my daily drawing featuring my instructor Rachel Davey wrangling the machine.
If you’d like a copy of Grow Lamp, I’m happy to send one to you for a modest fee: they are £15 including worldwide delivery on my tiny webshop!
It’s a slow process, but I’ve been trying to get myself out to more portfolio reviews when I can get them. I’ll usually give people cat stickers or post-it notes, but I had an idea recently to use the tiny letterpress to make some calling cards. Not business cards- I’m far too independent and self-depreciating for them – just something to give someone, to hopefully remind them they met me.
Letterpressing alone would make for a nice and somewhat-unique thing in this world, but I had an idea for how to make them more interesting. I’m constantly drawing robots doing mundane things, which I’ve combined into the cards – along with my name, I’ve letterpressed in a template for a robot, which I can fill in for the recipient based on the mood of the encounter.
As I was printing something as small as intended with my little letterpress (for once), it gave a really good deep impression on the paper stock.
Check out the tiny video I made about making these tiny cards!
Now let’s hope I can find some interesting people to give them to.
I created the above illustration for Barbican’s Sci-fi poster competition. Clean-up in Sector Six imagines a team of domesticated robots commissioned to travel into junk orbit and collect the space junk that is floating out there. Inside their rocket ship, they dismantle the trash they capture, and after sorting it for valuables, use the rest as fuel for their engine that powers the ship. They’re kind of like space wombles! Of course, because their job is cleaning, they can’t help cleaning up their ship perpetually as well.
I do like to think about junk orbit from time to time. Some of the stuff floating around up there would have been the most expensive objects ever created in their time. Now they just hover around out there, trying not to cause any accidents. Kind of like how I feel on the internet.
I’ve got into the habit of making my own fresh flour tortillas. They’re more satisfying and less alarming than the store-bought ones you get here in Britain, and as a bonus you can make them the right size for the job, instead of the not-quite-burritos-but-too-big-for-tacos one-size-fits-all approach they have here.
They’re not difficult to make either, but things do start getting a bit jugglesome when they’ve finished their second rest and it’s time to cook them. I usually find I could do with several extra pairs of hands between the rolling out, transferring to the pan, flipping, and putting in the tortilla warmer, which happens on loop until I’ve run out of dough.
Several extra pairs of hands, or a squad of small robots! I realised the process was prime for the production line treatment.
As ever, this is an animated gif that loops about every second, but there is a lot more to look at than just one second of looping. As the dough disappears off the bottom and top (under its cling film), you have to imagine it’s going to rest for twenty and ten minutes respectively.
These robots are doing a pretty legit job of making these tortillas otherwise. We’d need an army of hungry people to eat them before they go stale though!
More newness! Here is the artwork I created for Krakota’s debut album. He called the album ‘Strange System’, which is totally up my alley when it comes to record titles.
The title made me think of black boxes (as in science/engineering, not aerospace), which are systems that you can give input to and get output from without having any idea of what happens inside the system. I had some crazy idea to create some artwork completely obscured by a black box, but that was too, well, obscure. Everyone on the project seemed to like what I was drawing to go into the box though, so we ended up with that as the cover itself.
Everything is connected in this artwork! Clearly some of the objects are straight out of the mechanical/system corners of my noggin, but a lot of it comes from Krakota – his love of vinyl, celebratory beers and coffee to fuel the writing process, audio bits and pieces, and objects taken from some of his track titles. On the cover is a xylophone (from Xylo), a ghost, some samphire, an ice machine (for Ice Hands), some bones (for Lazy Bones), and the odd elastic bands. There are more track titles in the gatefold artwork too.
I kept my illustrations on this artwork as geometric as possible to make it feel very mechanical, so to contrast that and bring it back into the world of humans, we had all the artwork printed on a nice and heavy unbleached card stock. It roughs it up just the right amount and looks pretty fresh in physical too.
Check the Hospital Shop if you need a copy in your life!
If the title of this post didn’t make it clear enough, I was really pleased with the hyper-detailed looping animated gif of a robot factory I made earlier this year. So much so I have decided to make another one. This time they’re making – you guessed it – washing machines!
It took a lot of energy, but for a 1.1 second loop, you can spent a whole lot longer than that looking at it to follow what’s going on.
My favourite bit is the robot who stretches the drive belt over the drum. It feels nice when things come out of my brain in the way I imagined them!
I was digging through my archives last week and got completely distracted by this six-piece post-it drawing I did a year ago. After staring at it for a moment, I had the idea of turning it into an animated gif, so this weekend instead of watching it rain, I got to work.
I think it has to be the best damn animated gif I’ve ever made. It loops so perfectly, and it’s full of robots and washing machines. It’s a pretty good representation of what goes on in my mind too.
You can click it to load a huge version of the drawing if you want to check out some of the detail in it!
Hey Internet! Here’s something cool I did recently – one of a few new T-shirt designs for Hospital. Maybe you know that most graphic output at Hospital is my work anyway, but this design feels a lot more Ricky Trickartt than most things I do for them, which is why (like George Forman) I put my name on it!
There are robots on it. Lots of robots. And a lot of other electronics, both modern and obsolete too. And best of all, they’re all unique! Tall robots, short robots, robots on wheels, vacuum cleaners, telescopic robots, dancing robots, and it wouldn’t be right without a washing machine or two as well.
So what’s with the hair emergency? The phone menu style comes from the robots, the emergency is because it’s Hospital, and the hair problems are all me.
Confused yet? Here’s what you need to do: Go to the Hospital Shop and buy a Robots T-shirt, in blue or white, wear it and love it. Alright!
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