I’ve never really thought of Hospital as the establishment, but having been a going concern for a quarter of a decade now, it suddenly seems pretty well-settled in the musical landscape. For one of the many facets of this anniversary, Hospital organised a virtual art exhibition with our old friends at Art Vinyl, makers of nifty ‘Play and Display’ record cover frames.
The virtual nature obviously makes it pandemic-friendly (I still haven’t got my second vaccine yet!), so after a couple of false starts and venue changes, Chris at Hospital and the Art Vinyl guys got set up in Defected Records’ basement event space.
Chris and I had to pick fifty covers, which seems like a lot, but was pretty difficult considering Hospital’s catalogue is closer to 450 now, and that doesn’t even include the not-quite-100 on Med School as well. We filtered it down to albums that came out on vinyl only, and began whittling down to our favourites from there.
There’s more than just the record covers in the exhibition though – there are a selection of some of the original pieces of art I made for the covers dotted around, as well as many other bonus features. And! Chris and I also wrote a little commentary about some of our particular favourites in the exhibition.
I’ve been designing covers for Hospital for about fifteen years now, and I’m not sure if I’m proud or terrified when looking at this exhibition!
On the subject of how I make record covers for Hospital…
I also recently revisited the footage of making a pair of EPs for Logistics, from just before the pandemic-era. I’ve edited them into a nice new ‘How did this happen?’ video, which talks through the inspiration, and how I made the artwork. Check it out below!
And check out the 25 Years of Hospital Art exhibition!
I love watching Wimbledon – it’s full of so many weird traditions that make it pleasingly out-of-step with today’s capitalism-motivated world. There’s so much I don’t understand about it though – like why they play this competition on a surface that ends up completely wrecked by the end of the tournament, just in time for the most important matches.
I took a screenshot of the first serve of every set played on Centre Court this year, at least as best as I could manage, then used Photoshop to auto-align all the frames and export them as this gif. It’s funny to see what becomes of it each year, only to be regrown and re-manicured, ready to be wrecked again next year. Life is a funny thing!
Alley Cat Rally is now broadly available in all English-speaking territories in the WORLD! This Tuesday, 6th July, marked its publication in USA and Canada, and it was also published at some point in the past month in Australia and New Zealand too, so along with its April release here in the UK, that covers it all pretty well.
I’ve still got no idea how well it is doing, but I have been entered into what for me is a crazy new world, of the odd complement on social media. It’s been a few months of lovely surprises, videos from parent-friends, and generally nice people, which is incredibly gratifying.
I have made a couple more ACR-related videos in the past couple of months too.
Flying Eye managed to connect me with doing a window-painting job at a local bookshop to me, in Tring, which is just a little further out in the Chiltern Hills from where I live. I ended up doing it on a miserably rainy day, but with a bit of help, I put all the alley cats up in the window. It turned out pretty good!
I also made a video I titled ‘How did this happen?’, talking through the conception and making-of the book.
Here’s to people actually buying a thing I made, and to me dreaming up Asta and the alley cats’ next adventure!
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