Oh yeah, I design record covers

I realised recently that a lot of my favourite record covers from the past couple of years (since I last put anything on my blog here at least!) have all been very typographic. And very jumbled in their own ways too.

Four record covers for Anaïs featuring hand-drawn lettering and bright colours in unconventional layouts

I’ve had a lot of fun doing these singles for Anaïs over the past few months. It’s good to break the rules sometimes and I think I’ve broken all of the ones I hold dear with these – nothing lines up, the cases are all mixed, the colours all clash, and the letterforms are all wildly inconsistent. But it does it for me!

Record cover for the reissue of 'Beautiful Lies' by B-Complex, featuring hand-painted and hand-cut collaged typography

One of Hospital’s landmark tracks, B-Complex’s Beautiful Lies, got the re-release and remix treatment. We all really liked the artwork I made for 2010’s VIP remix, but the label thought it would be nice to do this artwork in the colours of the trans pride flag for Matia on this more modern reissue. I loved the brief, but was quickly reminded how weird the letterforms of the title all fitted together in a square. Once again, my text got all wobbly and I ended up making it work with this unconventional arrangement.

Two record covers for Degs featuring typograhy in the font Futura Bold, where the letters have been unconventionally condensed

This pair of covers were kind of the logical conclusion of the artwork I have been making for Degs since his debut release in 2018. I love me some Futura Bold at the best of times, and with these covers I was trying to condense the letters into as tight an arrangement as possible in the square shape of a record cover, without them completely losing legibility.

Record cover for 'bailejungle' by Urbandawn, featuring a collage of different typefaces and styles

A slightly more conventional typographic collage is this single for Urbandawn. I was instructed that the title had to specifically be all lower-case, which made the collage a bit more challenging, but I like how it turned out!

Record cover for a single by four artists - Doktor, P Money, D Double E, and Diagnostix, featuring different typefaces and a colour palette taken from Doktor's previous singles

This cover was a difficult one to make work – I had a lot of names that were collaborating on this release, somehow managed to lock this up into a tight square, and even got a few typograhic easter eggs in there too.

On Line

I’ve been feeling good about a lot of the record covers to come out of my brain-hands lately, but the cover for New Blood 018 deserves a spot of text to go with it – perfect for the blog.

New Blood 018

This artwork was inspired by a visit to my brother, who managed to break his leg while taking his kids to the park, and was in real-hospital as a result of the accident. One of his ward-mades was getting a transfusion while I was visiting, and I found the vividness of the blood running from the bag and through its tubing partly fascinating and partly humbling as it squiggled all over this poor chap’s bed.

NB018 CD Reverse

The image stayed with me, so I took the idea of the constant line to the typography for this artwork, and designed a suite of artwork around the concept. My original version was just as bold as the blood I saw in the hospital that day, but the creators of an album series called ‘New Blood’ insisted that it was too bloody, so I changed the palette entirely to some classic clinical teal shades.

Sweetpea - Closer - custom typography

Ox7gen - Trinity - custom typography

As well as the typography that made the cover itself, I also sweated the details with the entire tracklisting, with every artist and title drawn in the same single-line style. I was really pleased with how it looks, but we all agreed it wasn’t the most legible, so we compromised and I created a design that had transcriptions too.

NB018 Digital booklet label copy

I continued the single-line concept through all aspects of the design, including all of the label copy, which I snaked on single weaving lines through the artwork on all formats. With most of my indulgences approved in the end, the album went off to press, and is out on Med School Music this week.

NB018 Vinyl LP back cover

 
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